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TranSenLightoWer

Multi-Channel Film in Silo Space, 3’36”, Sound Director Li Xingyu

Jansword Zhu, 2024

转译天光阁

"TranSenLightoWer" echoes a multi-channel immersive symphony in an abandoned silo, exploring the polyphonic composition of genes as a spiritual communication between the body and the transcendent. The viewer can ascend the spiral ladder and complete the tour by climbing the ladder to the ceiling. Viewers could be brought into the micro and macro of this alternate universe, which is at once a vision for the future and a tribute to the unseen infrastructure of our current existence.

The artist transforms the gene fragments/proteins into images through imagination and algorithms (not generative algorithms). These images incorporate forms from PDB in various ways, all of which are a priori(pre-existing).
 
Through the co-presence of viewers and life images, it initiates the integration of subject and object, responding to issues of Gaian themes, showcasing a hint of the micro and macro worlds in a synchronistic relationship.

《转译天光阁TranSenLighToWer》,是艺术家的持续性创作“转译天显(Transenlight)”的阶段性的集中呈现。该系列创作中,朱剑辰以基因片段为文本,以算法(非生成算法)与形态学为基础,创造出“元文本(meta- text)的数字生态圈”,作品中所有的基因转译蛋白都是以世界基因蛋白数据库或人工智能预测系统Alphamind获得的蛋白数据。《转译天光阁》以上百段光怪陆离的多维影像呈现出的基因复调协奏,并创造出时空错乱式的、既宏观又微观的生命天梯,以此接近由基因元文本转译为物质的超验性瞬间。观者可以由下至上沿螺旋梯向上观览,在筒形工业遗迹的中的水泥墙壁化为虚实相生的数字壁龛,艺术家复调影像阵列中的雕塑性与瞬变的光流,唤起古老又未来的回忆。作品关联到皮埃尓·阿多所指涉的“隐藏的自然(Phusis Krutesthai Philei)”,将生命的自在通过数字技术与光揭示出来,并由此介入以“万物共生”为核心的主客体同一性的议题。音乐人李星宇担任作品的声音总监。

整个作品将生物议题与灵性生命议题交织,通过观者和生命影像的共在启动主客体的整合,回应同一性与盖亚式议题,以共时(Synchronize)关系展现微观与宏观世界的关系线索。

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